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"'CLOUDS' is an installation that extends across three different spaces in the Ornithological Museum of Palazzo Montesano in Chiaramoni Gulfi. The artwork is entirely made of natural materials, which possess the unique quality of changing over time and evolving in their essence, confronting us with the immateriality of things. Starting from these natural materials, the artist aims to provoke contemplation on the concept of eternity. Ethereal clouds made of soft sheep's wool cover the ceiling of the two rooms in the Ornithological Museum. Building upon studies of clouds that began in England in the early 19th century due to the necessity of a thorough investigation of light in relation to atmospheric phenomena, the artist analyzes their formation regarding change—a mutable process that consistently presents itself in the same form and recurs. Howard introduced the cloud classification system, which formed a solid foundation for the study of clouds and significantly contributed to understanding meteorology. This distinction is also evident in the artist's installation, showcasing three different types of clouds. While for Goethe, nature is objective and must be observed without a priori judgments, for the artist, it becomes a divine form, standing between earth and sky—a symbol of divinity, a manifestation of God, of His relative and fleeting existence that composes and dissolves. An invitation to meditation and contemplation through the use of natural materials and profound symbolism. The artist brings back a connection with nature and change as a fundamental part of our existence as mutable and organic elements. The work aims to prompt reflection on the difference in how humans and nature deal with change: while humans are subjected to a technological society marked by speed, nature follows a different, slower pace that opens the door to eternity. The artist wishes to reflect on the urgent and current issue of anthropocentrism and the distorted existential perception that leads us to live in a nihilistic dimension, without preserving nature, our distinctive ecological tendency, and learning to coexist with it." - Francesca Rossi Minelli, 2023

CLOUDS

WOLKEN

SUBTEXT

„“CLOUDS“ is an installation that extends over three different rooms of the Ornithological Museum of Palazzo Montesano in Chiaramoni Gulfi. The work is made entirely of natural materials, which have the great peculiarity of changing over time and evolving in their essence, confronting us with the immateriality of things. Starting from the natural materials, the artist wants to make us think about the concept of eternity. Ethereal clouds made of soft sheep's wool cover the ceiling of the two rooms of the Ornithological Museum. Starting from the studies of clouds that began in England at the beginning of the 19th century due to the need for a thorough study of light in relation to atmospheric phenomena, the artist analyses their becoming in terms of change, a mutable process that always presents and recurs in the same form. Howard introduced the cloud classification system, which formed a solid basis for the study of clouds and contributed significantly to the understanding of meteorology. This distinction is also reflected in the artist's installation, which shows three different types of clouds. If for Goethe nature is objective and must be considered without a priori judgements, for the artist it becomes a divine form that stands between earth and sky, a symbol of divinity, an appearance of God, of his relative and fleeting existence, which assembles and dissolves. An invitation to meditation and contemplation through the use of natural materials and profound symbolism. The artist brings back a connection with nature and change as a fundamental part of our existence as mutable and organic elements. The work aims to make us think about the difference in the way humans and nature deal with change: While humans are subject to a technological society characterised by speed, nature has a different, slower pace that opens the door to eternity. The artist wants to reflect on the urgent and topical issue of anthropocentrism and the distorted existential perception that leads us to live in a nihilistic dimension without the ecological tendency that distinguishes us to preserve nature and learn to live with it." - Francesca Rossi Minelli

CLOUD I (cumulus)

2023

Material: Sheep's wool, wire, string, rabbit glue, chalk, branches and metal

approx. 2m x 2m x 1.5m

CLOUD II (Stratus)

2023

Material: Sheep's wool, wire, string, rabbit glue, chalk, branches and metal

approx. 1 m x 2m x 1.8m

CLOUD III (Nimbus)

2023

Material: Sheep's wool, wire, string, rabbit glue, chalk, branches and metal

approx. 1 m x 1 m x 0.5 m

CLOUD IV (left) CLOUD V (right)

2023

Material: Sheep's wool, wire, string, rabbit glue, chalk, branches and gold leaf

approx. 1m x 1m x 1m

CLOUD VI

2023

Material: Sheep's wool, wire, string, rabbit glue, chalk, branches and gold leaf and metal

approx. 3m x 2m x 1m

CLOUD VII and CLOUD VIII

2024

Material: sheep's wool, wire, string, rabbit lamb, chalk, branches, gold leaf and metal

CLOUDS

CLOUD I (Cumulus)

Sheep's wool, wire, string, rabbit glue, chalk, branches and metal

approx. 2m x 2m x 1.5m

2023

CLOUD II (Stratus)

Sheep's wool, wire, string, rabbit glue, chalk, branches and metal

approx. 2m x 0.5m x 1m

2023

CLOUD III (Nimbus)

Sheep's wool, wire, string, rabbit glue, chalk, branches and metal

approx. 1.5m x 1.5m x 0.4m

2023

INSTAGRAM | E-MAIL

INSTAGRAM | E-MAIL

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